I don't really care about this, but I do find it interesting.
The first is, apparently, the contract states that Disney was required to put out the movie to "Wide theatrical release". Which they did. And ScarJo gets some cut of that revenue from the theaters.
She didn't state anything about streaming, and neither did Disney - at least as far as the article reveals, we don't actually have the contract to scrutinize. Team ScarJo is claiming that "Wide theatrical release" is industry jargon and equates to "Exclusive theatrical release". I don't know if it does or not, but to me just being an english-speaking person, I don't see that at all - nothing about "wide" even hints at "exclusive" to me, but I acknowledge it's possible it could have trade-specific meaning I'm not aware of. I guess that's what the courts will decide, although 90/10 that this thing gets settled long before it makes it that far and just goes away.
Me being a layman, sure seems like ScarJo just didn't read the fine print well enough, and/or didn't think to include streaming in there when they worked up the contract and just has sour grapes about it now. I don't think Disney intentionally did this as a F-U to her or to try to skirt out of money, although they definitely did do it to help bolster their streaming service, there is no doubt to that. But I don't think you can possibly point to some nefarious anti-ScarJo motive there and make that stick unless you have the smoking gun in hand for evidence.
The asshat in me says she put in a phoned-in performance in a lackluster movie, she wasn't going to get that much anyway even had it been exclusive to theaters, and some lawyers found a way to possibly get a pay day for both her and them. This wasn't exactly an Oscar-worthy performance from her. Yeah, she should get paid, but I don't think she's due anything extra really - she didn't bring anything to this movie apart from the fact that she had played the role before....